It is always exciting when you come across someone who amplifies their creativity in every aspect possible. People with multiple talents are often told to master one, owing to the adage “jack of all trades, master of none.” While the saying may be true, that has not always been the case. Numerous people have perfected multiple talents and exhibited them with excellence. One such person is Nigeria’s multi-talented and creative Bloody Civilian. The creative is an embodiment of the word creative,” as she is a triple treat in the form of a singer, writer, and producer. If anyone tells you someone cannot master multiple things, show them Bloody Civilian.
Anger Management by Bloody Civilian; Tracklist
Known for debut thought provoking single “How To Kill Man” which is an ode of setting the record straight. She gained a groundbreaking spotlight as she featured on the soundtrack of Black Panther 2 on the song “Wake Up”. Following the success of the song and the projection it came with, Bloody would release her first single of the year “I don’t Like You
Adopting a DIY (Do It Yourself) approach, she dropped her debut project, which she wrote, sang, and produced. Leveraging on the freedom that came with working on everything herself, Bloody delivered a project that was a reflection of her creativity and reality. The six-track project includes her two pre-released songs, “How to Kill Man, and I Don’t Like You.” Bloody Civilian’s debut EP, ‘Anger Management,” taps into diverse sounds and genres that are symbolic of her Gen Z status. She switches from Amapiano, Afrobeats, R&B, pop, and hip-hop to EDM sounds across the project. The diverse sonic elements are Bloody’s way of expressing herself through the sounds that influence her creativity in music-making.
She expresses a strong will for non-conformity and self-encouragement. Each song is her way of expressing her truth and experiences. From relationships to economic, family, and social realities, Bloody does not hold back her words and feelings. One would describe her as an outlaw and defiant, and they would not be wrong. She has a lot on her plate, and she has taken the opportunity to let it all out.
In the two pre-released songs “How to Kill Man and I Don’t Like You”, she refuses to allow her emotions to be played with and would not allow her intentions to be misinterpreted. She sets her records straight by rejecting any advances from people she has no intention of mingling with. While people may tag her as being cruel, she does not mind the tag. You can call her whatever you want, but she should rather be herself than tag along with people she is not comfortable with.
Bloody Civilian assumes the position of an activist for Gen-Zers as she confronts doubters. She does not run away from any challenge thrown at her. She wields her creative armour, and swings at any and all things that hold her and other women back. ‘Escapism ’takes a dive into politics, where she discusses the country’s poor economy and decisions made by her ancestors that have led to what her generation is facing. For her, music is her escape, and she hopes that others can find their own means of escape.
She continues the fight on “Family Meeting,” where she delves into the family setting and the prejudices people face in their families, especially in the African setting. Like many people who grew up in African homes, there are moments when individuals are regarded as outcasts for taking a different path. Her unapologetic persona takes center stage on the song “Mad Apology” and the follow-up “I Don’t Like You”. She takes it all back to her roots on “Come From” as she relives her past. She paints pictures of the darkness of her past until she finds the light.
In conclusion, “Anger Management” reeks of creative freedom and self-expression from Bloody. She taps into all her creative juices to produce a project that is reflective of her experiences and reality. While some may describe her as defiant and an outlaw, her intentions are pure and right. She stands for women’s freedom and rights. She does not hold back or back down. The theme is right on the money, as it is very relatable for many young adults.
The production, singing, and lyricism are all reflective of the message she wishes to put across. She appeals to the younger audience in both theme and production, which we can see in genres like amapiano, afrobeats, and EDM. The songs carry weight but also provide an upbeat tempo that makes them danceable.
The project is nothing short of Bloody’s way of showcasing her vast talent base while taking a stance as one of Africa’s future stars.
